How to noise the #10yearChallenge
A possibility of turning the #10yearchallenge into the #10yearnoise. There is no ‘harmless’ data The #10yearchallenge has been popping up on the newsfeeds at an enormous rate. It is quite striking that there is still this senseless rush to post as much as we can about ourselves to this pin-board monster platforms that are eating […]
The spectacle in a square and a rectangle
We are video addicts, the numbers say, we watch 1 billion hours of Youtube videos every day, and we upload 400 hours of video to Youtube every minute. Yes, every 60 seconds. The average mobile viewing session lasts more than 40 minutes! (1) It comes together with scrolling on Facebook and Instagram, reading online articles, using search […]
Computing with Impossibility
Can the numerically unstable field of activity (the program is showing no error but it is not performing according to code) perhaps be the place to look for machine art?
Gardening, the Chaos theory – and how I met Brian Eno
*The research blog within the group project “Computing With Impossibility”. It was May 2018, in the History Museum in Sarajevo. As we were in an intrigued crowd (artists from the CEE, representing each country in pairs), he took the stage to deliver an opening speech for the exhibition “77 Million Paintings”. Calm, eloquent and with […]
Location as a Mediated Place
Or rather – a footprint of the place to interfere with. A geographical, coordinates-bound place, as we once knew it seems to be gone as a ‘given’ thing. With the technology providing ‘distance influence’, we now have an almost metaphysical ‘place’ which can be influenced in many different ways. It can be made visible, invisible or […]
Kintsugi … but what happens before gold?
Pain happens. How difficult it is to talk about pain? The words are no good for it. They are simple, flat, vulgar. Are they all we have to express/communicate pain? ‘Each patient discovers his own’, he stated, ‘and the nature of pain varies, like a singer’s voice, according to the acoustics of the hall.’ […]