This post marks the beginning of the research project into the current perception of intelligence and the thinking that goes into the design of the intelligent assistants- with an introduction of a moody, human-like machine: Emot. The key areas The gender, socio-political and capitalist bias of the artificial intelligence made obvious through the design of […]
Observing that museums are usually restricting our movements and not even considering an opportunity that our muscle activity and spatial behavior can be a “coproducing element” we include in our experience of the artwork.
Or, rather what it really means to be human? We create in our own image. Or do we? The projects researched here were used by Lucy A. Suchman as examples that: ” make evident how roboticist imagine humanness”. In the case of the human, the prevailing figuration in Euro-American imaginaries is one of autonomous, rational agency, and […]
The Rein of the Visual Since the spectacle’s job is to use various specialized mediations in order to show us a world that can no longer be directly grasped, it naturally elevates the sense of sight to the special preeminence once occupiedby touch: the most abstract and easily deceived sense is the most readily adaptable […]
The politically oriented artist engaged in technoscientific discourses faces significant chal- lenges. She has to be versatile within the theoretical framework developed in disciplinary areas such as science and cultural studies, acquire the technical and/or scientific skill base needed in her chosen area of investigation, and develop an artistic language appealing to peers in her […]
Art buys us time to think about the embodied technological experience. Art helps us keep the options open. (1) Sensing practices involve various technologies – it is not only scientific or ecological approaches and methods but the experimental ones by artists, amateurs, animals such as fish and even plants like moss… all of them becoming […]